Monthly Archives: October 2010
CinemaScope/Realism Argument Attempt
Most filmmakers did not subscribe to the Expressionist mode of color design. Many directors were using Eastmancolor’s light-sensitivity to begin shooting films on location, instead of in sound stages. Films such as Three Coins in a Fountain (1954), shot almost … Continue reading
Attempt #1 at an Eastman Color Argument
The introduction of Eastman Color in 1952 created a short color Renaissance through the 1950s, during which directors experimented with new color vocabularies independent of the Technicolor style. This color revolution eventually faded into a more muted style in the … Continue reading
